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	<title>Virginia Crime &#187; directtv</title>
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		<title>When Cosa Nostra Became Everyone&#8217;s Thing &#8211; vcan.org</title>
		<link>http://www.vcan.org/arts-entertainment/when-cosa-nostra-became-everyones-thing-vcan-org/</link>
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		<pubDate>Sun, 14 Feb 2010 13:00:48 +0000</pubDate>
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				<category><![CDATA[Arts & Entertainment]]></category>
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		<description><![CDATA[You could be hard pressed to find the exact time when America became obsessed with organized crime &#8212; the mafia, the mob, the syndicate &#8212; but most sociologists point to the dawn of motion pictures as the point of no return. If Jimmy Cagney&#8217;s sneering wiseguy in The Public Enemy didn&#8217;t get you interested, nothing [...]]]></description>
			<content:encoded><![CDATA[<p>You could be hard pressed to find the exact time when America became obsessed with organized crime &#8212; the mafia, the mob, the syndicate &#8212; but most sociologists point to the dawn of motion pictures as the point of no return. If Jimmy Cagney&#8217;s sneering wiseguy in The Public Enemy didn&#8217;t get you interested, nothing ever would. For the longest period of time, Oscar (read: mainstream respect) wasn&#8217;t interested in a leading man if he portrayed a gangster and the genre toiled in the minor leagues of cinema standing.</p>
<p>Cagney scooped, virginia Crime,  up an Oscar for Yankee Doodle Dandy, as song-and-dance man George M. Cohan, but perhaps his most scintillating performance was in White Heat, when Cagney returned to the gangster genre.  If it arrives on your satellite tv program via Turner Classic Movies, it&#8217;s worth a long look. As the disturbed son of Ma Barker, head of the Barker Boys gang, Cagney created the image of a man fraught with deep psychological problems, who can only vent his frustrations with violence and control.</p>
<p>Though co-star Virginia Mayo considered the portrayal one of Cagney&#8217;s best, he didn&#8217;t get the nod when Oscar time came around. It&#8217;s been over 50 years since Cagney climbed to the &#8220;top of the world&#8221; in the apocalyptic end of White Heat, and society&#8217;s perception, virginia Crime,  of the genre has changed along with it (not to mention organized crime itself). Oscar gladly handed over the statue to relatively unknown Joe Pesci for his rousing portrayal of a cowboy mafioso in Goodfellas. And respect has come all the way to the Best Picture Oscar, as awarded to Scorsese&#8217;s The Departed a few years back.</p>
<p>Though widely considered to be inferior to Scorsese&#8217;s previous mob classics, Oscar has a way of recognizing what it has overlooked in the past.</p>
<p>Just scanning through a satellite tv program guide, you will see just how far the genre has come. The Sopranos, HBO&#8217;s smash-hit mafia, virginia Crime,  show, became one of the most-lauded programs in television history. In many ways taking the mob to the, virginia Crime,  suburbs, Tony Soprano showed what is like when a mob boss went home and worried about his kids and their demands for expensive cars and flatscreen HD televisions.</p>
<p>He sits in long sessions with his therapist, wondering how he can overcome his fears and conquer his frustration at home. In his psychological complications, Tony Soprano recalls, virginia Crime,  Cagney&#8217;s Cody Barker. Instead of seeing a shrink, Cody was more likely to jump up on a table and start a hair-raising brawl. But times have changed.</p>
<p>Time changed for the Sopranos as well, when it ended its historic HBO run. These days, it&#8217;s still out there. If you have Pay-Per-View and On-Demand capabilities with your satellite tv provider, you can find old episodes for the watching.</p>
<p>Or check your program guide for the A&#038;E Network, which began broadcasting the mob hit with slightly cleaned-up dialogue and less nudity. It&#8217;s a more family-friendly mafia. All in all, it&#8217;s amazing to see how far the on-screen mob has come.</p>
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